Outside Edge is the name I gave to my first collection of art works. It’s a series of whimsical ink and watercolour vignettes that are island-inspired, yet intentionally off-kilter. My work constructs an imagined island state where architecture, bureaucracy and commerce lean under the weight of inherited systems. Through ink and watercolour, I distort familiar civic spaces — courthouses, laundrettes, cafés — allowing marine life and vegetation to infiltrate them. These intrusions act as reminders that independence, governance and development are transient structures built on shaky foundations. In the end, only nature endures — long after the slogans fade.